变色龙,2018,影像,9’30”(静帧)
变色龙,2018,影像,9’30”(静帧)

Chameleon, 2018, Video, 9'30''(still) ©YAO Qingmei

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变色龙,2018,影像,9’30”(静帧)
变色龙,2018,影像,9’30”(静帧)

Chameleon, 2018, Video, 9'30''(still) ©YAO Qingmei

press to zoom
变色龙,2018,影像,9’30”(静帧)
变色龙,2018,影像,9’30”(静帧)

Chameleon, 2018, Video, 9'30''(still) ©YAO Qingmei

press to zoom
变色龙,2018,影像,9’30”(静帧)
变色龙,2018,影像,9’30”(静帧)

Chameleon, 2018, Video, 9'30''(still) ©YAO Qingmei

press to zoom

Chameleon

2018

Video, 9’40’’

 

The “ flag- painting” of the previous project becomes the decoration for the show “Cha-meleon” where the magician-politician mim-ics hollow, purely gestural political speech-es. This choreographic debate is punctuated sometimes by a few tricks of clumsy magic. The twin assistants move symmetrically. They tear a “ green background”,which is then used to inlay fragments of archiv es and reality in this fictional work. The chame-leon constantly alters the mask and posture to the rhythm of images.

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